(Sonata for Solo Cello, Op.25 No.3 (1922–23)) - V. Mäßig schnell (sehr scharf markierte Viertel)【Christian Poltéra】

Christian Poltéra
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> (Sonata for Solo Cello, Op.25 No.3 (1922–23)) - V. Mäßig schnell (sehr scharf markierte Viertel)
> (Concerto for Cello and Orchestra (1955–56)) - II. Allegro appassionato
> (Sonata for Solo Cello, Op.25 No.3 (1922–23)) - IV. Lebhafte Viertel (ohne jeden Ausdruck und stets pianissimo)
> Finale
> V. Hymne
> IV. Miroirs
> III. Houles
> (Passacaglia for Cello Solo (1979–80)) - Passacaglia for Cello Solo (1979–80)
> II. Regard
> Sacher Variation
> Cello Concerto, Op. 35:IV. Allegro vivace
> (Sonata for Solo Cello, Op.25 No.3 (1922–23)) - I. Lebhaft, sehr markiert (mit festen Bogenstrichen)
> (Sonata for Solo Cello, Op.25 No.3 (1922–23)) - III. Langsam
> Clarinet Trio in A Minor, Op. 114:II. Adagio
> Cello Concerto, Op. 35:III. Adagio
> Introduction -
> Cello Concerto, Op. 35:I. Allegro assai moderato
> I. Enigme
> (Concerto for Cello and Orchestra (1955–56)) - I. Moderato
> Cantilena -
> 4 Episodes -
> (Sonata for Solo Cello, Op.25 No.3 (1922–23)) - II. Mäßig schnell, gemächlich (durchweg sehr leise)
> (Concerto for Cello and Orchestra (1955–56)) - III. Tema ed improvvisazioni
> Cello Concerto, Op. 35:II. Agitato