Fantasy and Fugue on "Ad nos, ad salutarem undam", S. 259:3. Allegro deciso - Fuga (Allegretto con moto - ...)【Franz Liszt】 Fantasy and Fugue on "Ad nos, ad salutarem undam", S. 259:3. Allegro deciso - Fuga (Allegretto con moto - ...)【Simon Preston】

Franz Liszt
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> Water Music Suite No.3 in G, HWV 350:20. Menuet
> Années de pèlerinage: 2ème année: Italie, S.161:4. Sonetto 47 del Petrarca
> Fantasia Con Imitazione In B Minor BWV 563
> 12 Etudes d'exécution transcendante, S.139:No.1 Prélude (Presto)
> Concerto for 2 Trumpets, Strings and Continuo in C Major, R.537:2. Largo
> Messiah, HWV 56Pt. 2:Hallelujah
> Prelude And Fugue In G Minor, BWV 558 (App. B)
> Concerto No. 2 for Piano and Orchestra in A Major, S. 125: IV. Allegro deciso
> Sonata No.1 in D minor for organ, Op.42:3. Final
> Unstern! -Sinistre , S208
> Organ Concerto No.10 In D Minor, Op.7 No.4 HWV 309:4. Allegro
> Symphony No.6 in F major "Pastoral" S.4646 : 3. Lustiges Zusammensein der Landleute: Allegro 34 - Allegro 24 - Da capo [tutto] - Tem
> Organ Concerto No.7 In B Flat, Op.7 No.1 HWV 306:1. Andante
> Grandes Études de Paganini S.141:No.2: Étude in E flat major "Octave"
> Symphony No.5 in C minor S.4645 : 3. Scherzo [ - Trio - Scherzo]
> Symphony No.2 in D major S.4642 : 4. Allegro molto
> Gloria in D, R.589:9. Qui tollis peccata mundi
> Douze Études d'exécution transcendante S.139:Ricordanza
> Organ Concerto No.2 in B flat, Op.4 No.2 HWV 290:A tempo ordinario e staccato
> スケルツォトタンチョウ:Scherzo in G Minor, S.153
> Prelude And Fugue In D Major BWV 532:Fugue
> Piano Concerto No. 1 in E-Flat Major, S. 124:IIb. Allegretto vivace - Allegro animato
> Vom Himmel hoch da komm ich her BWV 738
> Magyar tempo S.241b
> Liebesträume, S. 541:No. 2 in E-Flat Major "Seliger Tod"
> Hungarian Rhapsodies S.244 - No.8 in F sharp minor:Rapsodie hongroise VIII
> Pastoral in F Major, BWV 590:3. in C Minor
> El Contrabandista - Rondo Fantastique sur Un Thème Espagnol, S.252
> Grand Duo concertant S.128:Variation I (un poco più animato)
> Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio